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To say thank you for your interest in keeping your
child and family safe from bullies, bullying and
violence, we have made a special arrangement with our
publishers to release the first chapter of Dr Miller's
latest book: The Spirit of Martial Arts. Here it is!
You are the first people in the public to have access
to these amazing concepts! Hope you enjoy it!
THE SPIRIT OF SELF DEFENSE
A common sense approach to personal development in
the martial arts
Dr. Steven A.C. Miller (B.Sc., M.Sc., N.D., Ph.D.)
Chapter One:
Historical Perspectives of the Martial Arts
The history of martial arts is an elusive one. There
are hundreds of martial arts systems from all over the
world and each has its own separate history.
Fortunately, for the context of this book, we are not
interested in the details of a specific martial arts
record, but rather the background of the martial arts
in a general, broad-based sense. Once we familiarize
ourselves with the history, we will be able to better
understand the martial arts of today, and what our
training should and should not represent.
The term "martial" refers to war. "Art" represents
an abstract quality which holds different meanings
depending on its practitioner. "Martial arts,"
therefore, is the esoteric nature (art) of the science
of combat (martial). A beginner in martial arts
studies the "science" of basic body movement in self
defense scenarios. To the more advanced practitioner,
the "science" becomes more of a free-flowing,
unconfined, spontaneous "art" consisting of much more
than simple martial qualities.
Traditionally, the curriculum of the martial artist
was intended to elevate his, or her, character above
the common standard of the rest of society. Martial
arts was an all-encompassing educational study of
developing not only the physical body, but mental
capabilities and spiritual qualities as well. Martial
arts included the study of Humanities (such as art,
poetry, philosophy, and theology), as well as,
Scientific methodologies (such as medicine, psychology
and meteorology). The end product of this education
was a scholar who was as much at ease in a tea room,
as on the battlefield.
In feudal Japan, it was the martial artist who
provided the model of excellence for society to
admire. The goal of martial arts study was to teach
students how to become better people. Physically,
martial artists would study the science of combat
designed to make them, and their loved ones, safe in
the world in which they lived. Mentally, their
pursuits in the scholarly fields would set them apart
from the rest of society as "artists" and "aesthetes."
On an even higher plane, the martial artist would
study spiritual matters, gaining wisdom of spiritual
truths as they "tuned in" to the invisible world
around them.
Martial arts training was a very personal endeavour.
Training was only given to those who were trusted
friends, or more commonly, to the family members of
the master. To the outside world, the family's "martial art" remained a secret. Part of the secrecy
surrounding martial arts practice was due to the fact
that this wisdom was acquired in order to protect
oneself. If a master openly taught his secrets, then
his safety would no longer be an assurance. Martial
knowledge was considered a treasure which was not to
be shared with those who may, one day, use it against
the master. The general rule of the arts was that the
secrets would be protected at all costs, and outsiders
would never be allowed the pportunity to see the true
nature of the combative arts which the family
possessed.
An understanding of this historical aspect helps to
demonstrate to us why much of what we see today as "martial arts" is merely a shadow of what training
involved a few centuries ago When the Japanese
introduced their martial arts to the Western nations,
their history forbade them to divulge their long
practised secrets in the arts. Many of the techniques
we see today in forms, patterns, high kicks, wide
stances and flashy hand movements would be considered
comical to martial artists of the past. In truth, the
martial arts of today bear little resemblance to
genuine martial arts. Most of what is taught in the
present, in so-called "martial arts schools," is
useless in actual combat situations. The personal
protection aspect, the "martial," has been removed and
all we are left with is the often times only physical "art."
Not only are these "demonstration arts" not self
defense, but what complicates matters is that many
instructors of these arts are unaware of this fact
and, therefore, teach their students that what they
are learning is actually "self defense." It is this
fallacy which has led to the belief that a "black
belt" does not stand a chance against a veteran
street-fighter. Sadly, for the most part, I believe
this is a true statement for many people who have only
trained in sport-fighting concepts. Although a boxer
may be an excellent puncher, the notions of clinching
and rules will drastically limit his odds of self
defense in a street fight where there is no referee
and there are no guidelines. Weapons, biting,
headbutts, locking, throwing, ground fighting and
chokes are all part of the equation on the street.
Knowing now the secrecy surrounding true martial arts,
and understanding the historical design of the
masters, it is no surprise that these arts have
remained secretly intact allowing only a select few to
ever actually study the martial arts the way they were
meant to be [i.e. for developing the body (self
defense), the mind (the brain), and the spirit (the
personal identity)].
The goals of this book, therefore, are to instruct
its readers on the true nature of the martial arts,
and to give them the information that they need in
order to cope with actual self defense situations in
the modern world. Self defense has much more to do
with personal protection than merely dealing with
physical threats. We must also protect our minds and
our spirits against the forces which pose risks.
There is not much point in developing one's body to
its fullest potential only to be unstable enough to
snuff out that life with a drug overdose. Martial
arts is about the development of the whole person.
This book shall attempt to take the development of the
Spirit, mind and body from the cliché to the
practical.
Physically, self defense techniques are not flashy or
showy. They are not difficult and they are not highly
technical. Martial arts techniques are designed to
protect the practitioner against a physical threat.
The techniques do not require speed or agility, nor do
they require strength, to be effective. Speed is not
a quality which everyone can always enjoy, as it
requires a healthy joint structure and good muscle
tone. Strength-dependent techniques are also useless
in martial arts because the attacker, as a general
rule, will be bigger, or stronger, than the victim.
The need for strength and speed are Western additions
to the Eastern techniques, and no doubt due to the
fact that the West only knew the rudimentary aspects
of the techniques they saw. With accuracy, knowledge
and practice, a self defense practitioner will not
need strength or speed. By the end of this book, the
reader will have taken the first step into a larger
reality and will emerge a more intelligent and safer
pedestrian than when he, or she, began.
The next chapters explore everything from the body
movement techniques through to highly focussed
meditation techniques specifically designed for the
advanced martial artist. If you would like more
information on this, please contact Dr Miller at Steve@streetConfidence.com |